bator an essay on the international trade in art

1981 by Paul M. Bator. The work that eventuated in this essay began in 1969, when I became Reporter for the. Panel on the International Trade in National Art Treasures of The American Society of. International Law. I wrote a report for that Panel which forms the basis of some of the essay's ideas, particularly those in Part II.
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Title, An Essay on the International Trade in Art. Author, Paul Bator. Publisher, Stanford University, 1982. Length, 110 pages. Export Citation, BiBTeX EndNote RefMan
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THE WHOLE ARTICLE IS INTERESTING AND YOU SHOULD READ IT ALL EVENTUALLY, BUT THE PARTS OF MOST RELEVANCE FOR THIS WEEK ARE SECTIONS I AND III, B, D. Add to My Bookmarks Export citation. An Essay on the International Trade in Art. Type: Article; Author(s): Paul M. Bator; Volume: 34; Issue: 2
Bator, “An Essay on the International Trade in Art,” 34 Stan. L. Rev. 275 (1982). Archaeologists assert that in any given dig some ninety per cent of all objects unearthed can be classified as duplicates. Much of this material could be legally sold, satisfying at least the collecting appetites of those with a moderate income, with
In his important "Essay on the International Trade in Art," Professor Bator persuasively criticized patrimony laws as being overbroad, ineffective, difficult to enforce, and counterproductive, and for institutionalizing the black market in cultural property.2 Bator's essay served CULTURAL PROPERTY, CONGRESS, THE
In 1983 Paul Bator presented a values-based approach to regulating the international trade in art,44 identifying five fundamental categories (several ofwhichhesubcategorized).45 ... In the following discussion, the 44 Paul Bator, An Essay on the International Trade in Art, 34 Stanford L. Rev. 275 (1982). Bator's article
Bator An Essay On The International Trade In Art. Writing a doctoral dissertationDoctoral thesisEssay writer reviewsBest resume writing servicesWrite my paper for me cheapDefense Announcement Submission through OneStart. The announcement e-doc must reach the University Graduate School at least 30 days before
Schrifttum: Atwood, Stealing History – Tomb Raiders, Smugglers, and the Looting of the Ancient World, 2004; Bator, An Essay on the International Trade in Art, Stanley Law Review 34 (1982), S. 275 ff.; Bersin, The Protection of Cultural Property and the Promotion of International Trade in Art, N.Y.L. Sch. J. Int'l & Comp. L. Vol

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